The seven movements of the "Cânticos Meridionais” suite, for trumpet, horn, and piano, by Eli-Eri Moura are reinterpretations and settings of popular and traditional Brazilian and African songs.
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Trépak (Danse russe) from Nutcracker, by P.I. Tchaikovsky, arr. for trumpet ensemble by Kyle Millsap9/17/2024 Tchaikovsky's iconic and stirring Russian trépak, arranged for piccolo trumpet in Bb, trumpet in Eb, 4 trumpets in Bb (1 doubling flugelhorn), and flugelhorn.
Sonata for Horn and Piano was written for Gavin Lendt’s composition Master’s recital at the University of Kansas. This three movement work explores various styles and aspects that encompass the modern horn player.
This work begins with an aggressive style of playing, almost angry. The sonata demands strong technical and musical ability from the horn player to pull it off correctly. This movement is a non-stop tour de force audacious energy. Near the end of the first movement however, the temper relaxes a bit with a musical apology for being too aggressive. The second movement is an introspective, thoughtful section, contrasting with the outer two movements more bombastic style. The opening of movement begins with bars of the soloist playing the single note G and concludes with the same music, but on a D. The movement is mostly in 5/8 with multiple dissonance, but never to the point of being harsh. Of the three movements, this is musically the most challenging because of its contrasting emotional styles. The third movement of the horn sonata seemingly appears to be the most straight forward at first. This work pays homage to the 6/8 third movements of the horn concertos by Mozart and Strauss. Unlike the first movement of this sonata, which is aggressive, this movement is lighter in style and more playful. The climax of the movement is a direct copy of the second movement’s climax, albeit in a faster tempo. WindStorm was written by Matthew C. Haislip in 2024 as a commissioned composition for solo bass trombone for Jason Beghtol, bass trombonist of the North Mississippi Symphony Orchestra and Assistant Director of Bands and Brass Instructor at Northeast Mississippi Community College.
The piece features two contrasting sections that explore the expressive and powerful capabilities of the bass trombone. The listener is plunged on a ride through a typical storm that Mississippians experience year-round; the deceptive serenity of a still day followed abruptly by a wave of violent gusts, pouring rain, and thunderous lightning continuing relentlessly throughout the night. WindStorm was premiered by Dr. Jason Beghtol in recital at Northeast Mississippi Community College. Tchaikovsky's laconic Arabian dance known as "Coffee", arranged for 5 trumpets and 2 flugelhorns by Kyle Millsap.
Intrada for Joey, for horn and tuba, by Gina Gillie. A concert opener commissioned by Amy Laursen and Todd Cranson for their horn and tuba duo.
Five Quirky Miniatures, for horn, tuba, and piano by Gina Gillie, are light and fun, and each of them has its own special quirks.
High Wire, for solo horn and concert band, by Kim Scharnberg, a challenging and exciting concertpiece written for his brother Bill Scharnberg - a high wire act for horn!
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